The Rainmaker (1997 film)
The Rainmaker | |
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![]() Theatrical release poster | |
Directed by | Francis Ford Coppola |
Screenplay by | Francis Ford Coppola |
Based on | The Rainmaker by John Grisham |
Produced by | |
Starring | |
Cinematography | John Toll |
Edited by |
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Music by | Elmer Bernstein |
Production companies |
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Distributed by | Paramount Pictures |
Release date |
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Running time | 135 minutes[1] |
Country | United States |
Language | English |
Budget | $40 million |
Box office | $45.9 million[2] |
The Rainmaker is a 1997 American legal drama film written and directed by Francis Ford Coppola based on John Grisham's 1995 novel of the same name. It stars Matt Damon, Claire Danes, Jon Voight, Mary Kay Place, Mickey Rourke, Danny DeVito, Danny Glover, Roy Scheider, Virginia Madsen, and Teresa Wright in her final film role.
Plot
[edit]Unlike most of his fellow graduates of the Memphis State University Law School, Rudy Baylor has no high-paying job lined up and has to apply for part-time positions while serving drinks at a Memphis bar. Desperate for a job, he meets the bar's owner, J. Lyman "Bruiser" Stone, who is also a ruthless but successful ambulance chaser, who hires Rudy as an associate.
To get paid by Bruiser, associates pay their way by finding cases and working them up for trial. Rudy responds by saying he has cases, including an insurance bad faith matter he boasts could be worth several million in damages. Interested in the case, Bruiser introduces Rudy to office paralegal Deck Shifflet, a former insurance adjuster of questionable ethics.
While showing Rudy around the office Deck tells him he failed the bar exam six times. However, Bruiser employs him because he is resourceful, finds cases, is adept at gathering information, and because his prior work experience in the insurance industry means he knows how to go after them.
Though Rudy has passed the Tennessee bar exam, he still has not been properly licensed to stand as an attorney. He tries to do so after Bruiser fails to show up before Judge Harvey Hale to argue the case, but Hale scolds Rudy and tells him to get his license and then come back. Defense attorney Leo F. Drummond offers to stand for Rudy as Rudy is sworn in before the judge. Afterwards, Rudy discovers that the FBI has raided Stone's office, and Stone is nowhere to be found.
Using $5,500 that Bruiser had given each of them shortly before fleeing, Rudy and Deck pool their money together and set up a practice themselves. They file suit for middle-aged couple Dot and Buddy Black, whose 22-year-old son, Donny Ray, is dying of leukemia, but could have been saved with a bone marrow transplant, denied by their insurance carrier Great Benefit.
Rudy, having never argued a case before a judge and jury, now faces a group of experienced lawyers led by Drummond, from the prestigious firm Tinley Britt. In chambers, Hale tells Rudy and Drummond that he is set to dismiss the case because he sees it as a "lottery" case that slows down the judicial process. However, Hale dies of a heart attack before he grants the petition for dismissal. The more sympathetic Tyrone Kipler, a former civil rights attorney, is appointed to replace Hale. Kipler, known by Deck as not liking Tinley Britt, immediately denies Great Benefit's petition for dismissal. He instead agrees to fast-track the case in order to record Donny Ray Black's testimony before he dies.
While seeking new clients, Rudy meets Kelly Riker, a battered wife whose husband Cliff has beaten her numerous times, repeatedly putting her in the hospital. Rudy strikes up a friendship with her and persuades her to file for divorce. This leads to a bloody confrontation with Cliff, resulting in Rudy nearly beating him to death. To keep Rudy from being implicated, Kelly tells Rudy to leave. She then kills Cliff herself, then tells the police it was self-defense. The district attorney declines to prosecute.
Donny Ray dies days after giving a video deposition at his home. The case goes to trial, where Drummond gets the vital testimony of Rudy's key witness, Jackie Lemanczyk, stricken from the record as it is based on a stolen manual used as evidence. Nevertheless, thanks to Rudy's determination and some clandestine reference help from now Caribbean-based fugitive Bruiser (with whom Deck is connected by intermediaries), Jackie's testimony and the Great Benefit Employee Manual are finally admitted into evidence, to Drummond's dismay.
Rudy skillfully cross-examines Great Benefit's CEO, Wilfred Keeley, leading to the jury finding for Donny Ray's family for both actual damages and enormous punitive damages that Great Benefit cannot pay. It is a great triumph for Rudy and Deck, with Keeley being arrested by the FBI and investigation proceedings into Great Benefit launched in multiple jurisdictions. The insurance company declares bankruptcy, allowing it to avoid paying punitive damages. There is no payout for the grieving parents and no fee for Rudy or Drummond. Dot expresses satisfaction that at least they put Great Benefit out of business, and the company is now unable to hurt other families like hers.
As this success will create unrealistic expectations for future clients, Rudy decides to abandon his new practice and teach law. He and Kelly leave town together, heading out for an uncertain, but bright, future together.
Cast
[edit]- Matt Damon as Rudy S. Baylor
- Danny DeVito as Deck Shifflet
- Claire Danes as Kelly Riker
- Jon Voight as Leo F. Drummond
- Mary Kay Place as Margarine "Dot" Black
- Dean Stockwell as Judge Harvey Hale
- Teresa Wright as Colleen Janice "Miss Birdie" Birdsong
- Virginia Madsen as Jackie Lemanczyk
- Mickey Rourke as J. Lyman "Bruiser" Stone
- Andrew Shue as Cliff Riker
- Red West as Buddy Black
- Johnny Whitworth as Donny Ray Black
- Roy Scheider as Wilfred Keeley
- Randy Travis as Billy Porter
- Danny Glover (uncredited) as Judge Tyrone Kipler
Release
[edit]Box office
[edit]On its opening weekend, the film ranked third behind Anastasia and Mortal Kombat Annihilation, earning $10,626,507.[3] The film grossed $45,916,769 in the domestic box office,[2] exceeding its estimated production budget of $40 million, but still was considered a disappointment for a film adaptation of a Grisham novel, particularly in comparison to The Firm, which was made for roughly the same amount but grossed more than six times its budget.
Critical reception
[edit]The film received generally positive reviews from critics, earning an 81% rating on Rotten Tomatoes based on 59 reviews, with an average rating of 6.80/10. The website's critical consensus states: "Invigorated by its talented cast and Francis Ford Coppola's strong direction, The Rainmaker is a satisfying legal drama—and arguably the best of Hollywood's many John Grisham adaptations."[4] On Metacritic, the film has a 72 out of 100 ratings based on 19 critics, indicating "generally positive reviews".[5]
Roger Ebert gave The Rainmaker three stars out of four, remarking: "I have enjoyed several of the movies based on Grisham novels ... but I've usually seen the storyteller's craft rather than the novelist's art being reflected. ... By keeping all of the little people in focus, Coppola shows the variety of a young lawyer's life, where every client is necessary and most of them need a lot more than a lawyer."[6] James Berardinelli also gave the film three stars out of four, saying that "the intelligence and subtlety of The Rainmaker took me by surprise" and that the film "stands above any other filmed Grisham adaptation".[7]
In 2024, Francis Ford Coppola revealed during an interview with Rolling Stone that, following the release of The Rainmaker, he chose to "sort of retire" from being a professional director and instead become a student who could discover what making movies consisted by self-financing "very small, low-budget" films like Youth Without Youth (2007) and Tetro (2009), even organizing unusual rehearsals during which he learned a lot about acting. This was in order for Coppola to prepare himself for the development of his longtime passion project Megalopolis (2024).[8]
Accolades
[edit]- Nominations
- Blockbuster Entertainment Awards
- Favorite Actor — Drama (Matt Damon)
- Favorite Supporting Actor — Drama (Danny DeVito)
- Favorite Supporting Actress — Drama (Claire Danes)
- Best Supporting Actor (Jon Voight)
- Best Supporting Actor — Motion Picture (Danny Glover)
- Best Supporting Actor — Motion Picture Drama (Danny DeVito)
- USC Scripter Award (John Grisham and Francis Ford Coppola)
Other honors
The film is recognized by American Film Institute in these lists:
- 2008: AFI's 10 Top 10:
- Nominated Courtroom Drama Film[9]
References
[edit]- ^ "JOHN GRISHAM'S THE RAINMAKER (15)". British Board of Film Classification. January 7, 1998. Retrieved October 17, 2015.
- ^ a b "The Rainmaker (1997)". Box Office Mojo. IMDb. Retrieved October 17, 2015.
- ^ "Weekend Box Office Results for November 21-23, 1997". Box Office Mojo. IMDb. November 24, 1997. Retrieved October 17, 2015.
- ^ "The Rainmaker". Rotten Tomatoes. Fandango Media. Retrieved August 7, 2024.
- ^ "The Rainmaker Reviews". Metacritic. CBS Interactive. Retrieved October 17, 2015.
- ^ Ebert, Roger (November 21, 1997). "The Rainmaker". RogerEbert.com. Retrieved April 13, 2018.
- ^ Berardinelli, James (1997). "The Rainmaker". ReelViews. Retrieved April 13, 2018.
- ^ Fear, David (August 25, 2024). "Francis Ford Coppola: 'I Have Nothing Left to Lose'". Rolling Stone. Retrieved August 29, 2024.
- ^ "AFI's 100 Years... 100 Movies: Official Ballot" (PDF). American Film Institute. Archived from the original on July 16, 2011. Retrieved August 19, 2016.
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External links
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- 1997 films
- 1997 crime thriller films
- 1997 drama films
- 1997 thriller films
- American crime thriller films
- American legal drama films
- American courtroom films
- Films about lawyers
- Films scored by Elmer Bernstein
- Films based on works by John Grisham
- Films directed by Francis Ford Coppola
- Films set in Cleveland
- Films set in Memphis, Tennessee
- Films shot in Cleveland
- Films about domestic violence
- 1990s legal drama films
- Films with screenplays by Francis Ford Coppola
- American Zoetrope films
- Paramount Pictures films
- Films produced by Michael Douglas
- 1990s English-language films
- 1990s American films